Amirhossein Bayani (b. 1977, Tehran, Iran) is a painter, visual artist, and curator. He received a B.A. in painting from Tehran University School of Art in 2004 and an M.F.A. in Art Research from Tehran Azad University in 2008. He is a member of the Iranian Painters Society (IPS) and the founder and director of MERXOUT Projects. Bayani’s work explores critical politics, sociology, and philosophy related to human existence and experience. His work particularly focuses on the colonization of his subjects by the politics of power, where acts of violence, sabotage, and tyranny are underhand deals, too artful to be covered by mainstream and prestigious information channels. His works often grapple with complex themes such as societal structures. His art serves as a powerful commentary on the hidden machinations of power and their impact on individuals and communities.

Bayani’s work has been shown extensively in solo and group exhibitions around the world, including “Out of Context” at Ars Libri Ltd. in Boston, USA (2018), “Babylon System” at Mohsen Gallery in Tehran, Iran (2013), “What happened to the women in Shahnameh?” at Mohsen Gallery in Tehran, Iran (2010), “Brides of our Time” at Etemad Art Gallery in Tehran, Iran (2009), and “Eyes’ Wide Shot” at Azad Art Gallery in Tehran, Iran (2006), and lastly “For the Requiem Years Past” at Sahar K. Boluki Gallery in Toronto, Canada (2023).

Over the years, Bayani’s work has garnered significant attention and acclaim both in Iran and internationally. His exhibitions have been celebrated for their intellectual rigor and artistic innovation, positioning him as a leading artist in the contemporary art scene in Tehran. Critics and audiences alike have praised Bayani for his ability to tackle complex and often controversial subjects with sensitivity and insight, offering a fresh and critical perspective on the issues of our time. He currently lives and works in London.